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Heady times for craft beer

May 30, 2014 By jrausafull@gmail.com Leave a Comment

 

Craft beer boom embraced in Chicago’s neighborhoods

By Janet Rausa Fuller
DNAinfo.com Chicago
October 1, 2013
Link to article

 

CHICAGO — Jerry Nelson’s career for 11 years — the one he went to school for, dressed up for, made money at — was in architecture. Brewing beer was his hobby.

Three years ago, the hops won out.

That’s when the former Marine and Rogers Park native decided that what he most wanted to build wasn’t homes, but a brewery. He started looking for a space last fall. In May, he found a 2,500-square-foot room in a warehouse at 1640 W. Hubbard, and Une Annee Brewery was born.

In early September, Nelson poured the first three Une Annee beers — a Belgian IPA, Golden Strong and Saison — at a release party at Fountainhead in Ravenswood.

“I saw the success that [Chicago breweries] Metropolitan and Half Acre have had. Other cities have been booming, craft beerwise, for a while. It was that same feeling, that this can be done in Chicago,” Nelson, 39, said.

These are heady times in Chicago for brewers like Nelson and drinkers of craft beer, who are more than willing to travel for it (Dark Lord Day, anyone?).

Illinois is home to more than 80 craft breweries, up from 67 in 2012, according to the Brewers Association, a Colorado-based trade group that keeps tabs on the industry.

There are plenty more to come. The association counts some 30 craft breweries in “planning” within the city limits and 62 more statewide. Nationally, breweries are opening at a rate of more than one a day, said Bart Watson, staff economist at the Brewers Association.

Craft beer hasn’t quite taken over the world. It still makes up only 6.5 percent of the American beer market. But the small, mighty cousin to mass-market beer is the life of the party these days.

While overall U.S. beer sales were down 2 percent for the first half of 2013, sales of craft beer in the same period rose 15 percent by dollars and 13 percent by volume, according to the Brewers Association.

“Consumers have figured out that craft beer isn’t necessarily just some big, gnarly, hoppy thing or some massive Imperial Stout,” said Jonathan Cutler, the brewer at Piece Brewery and Pizzeria in Wicker Park, which opened in 2001. “There are so many different variations of certain styles.”

And there is no shortage of ways for Chicago beer geeks to indulge, from big events — the Festival of Wood and Barrel Aged Beer in November (tickets sold out in four minutes) and Beer Under Glass, the kickoff to the 11-day Chicago Craft Beer Week in May — to beer dinners and tastings at neighborhood restaurants and corner taverns.

Coming soon

The highest profile and certainly the largest addition to Chicago’s craft beer scene this year will be Lagunitas Brewing Co., based in Petaluma, Calif. By year’s end, the doors should be open and the tanks running at its $22 million brewing facility in Douglas Park.

The facility will produce 250,000 barrels a year to start and ramp up to 1.7 million barrels, expanding Lagunitas’ reach eastward and making it the second-largest craft brewer in the nation and “the biggest brewery in Illinois since the Chicago Fire,” said Lagunitas founder Tony Magee.

Opening the Chicago facility makes good business sense, but emotion plays a part, said Magee, an Arlington Heights native who started Lagunitas in 1993.

“We want to be close to the people in the markets where we sell beer,” Magee said. “Craft beer is so personal. People take it so personally. We want to share that we-ness.”

On the other end of the size spectrum, but as exciting for local beer fans: cult favorite Pipeworks Brewing plans to open a bottle shop at 1673 N. Western Ave. next year, according to a recent Facebook post.

Much has happened for the Wicker Park brewery in a short amount of time. It got its start through a Kickstarter campaign and began kicking out beers in early 2012. In January, the beer enthusiast website RateBeer.com named Pipeworks the world’s best new brewery.

Chicago is leading the trend of these nanobreweries, said Josh Deth, the owner of Logan Square’s Revolution Brewing, which in its three years has become a household name on the local scene. Deth and others talk of a supportive community, where startups collaborate and fledgling brewers can and often do hop from brewery to brewery, learning the craft.

For formal training, there is the Siebel Institute of Technology, the nation’s oldest brewing school, which this month moved its campus from Clybourn Avenue near the original Goose Island brewpub to the ground floor of Kendall College.

Enrollment at Siebel has been on an uptick for the last five years, with Web-based courses seeing triple the number of students, said vice president Keith Lemcke.

Several hundred students complete the program each year, he said. The majority are home-brewers who like Nelson, himself a Siebel graduate, want to move out of the garage and into the commercial market.

“Many do have opening their own brewery in mind,” Lemcke said.

The rise of craft

Chicago is a beer kind of town. German immigrants made it so in the 19th century with the city’s first commercial brewery. By 1900, there were some 60 breweries churning out more than 100 million gallons of beer annually, satisfying the demand of the burgeoning German and Irish populations, according to the Newberry Library’s Encyclopedia of Chicago.

Most of those breweries, however, didn’t make it past the repeal of Prohibition and the rise of canned beer. Today, MillerCoors has its headquarters here. Anheuser-Busch InBev staked its claim with the 2011 acquisition of homegrown brand and craft beer pioneer Goose Island Brewing Co., and its exclusive partnership with the Chicago Cubs.

But craft beer — the stuff that in general terms and by Brewers Association standards is “small, independent and traditional” in production and vibe — is a more recent and distinct phenomenon.

When beer aficionado Randy Mosher moved here from Cincinnati in 1985, “There was no craft beer here at all,” said the noted author and creative consultant to the craft beer industry. The few earliest attempts, by Siebens River North Brewery and Tap and Growler in the West Loop, were “pretty horrible,” he said.

The opening of Goose Island in 1988 changed everything.

“Once they opened, it was like, ‘Hallelujah,’ ” Mosher said. “Those guys are just very good at not making mistakes.”

The steady success of Goose Island was the kindling for other breweries to open and gain an audience — Three Floyds in Munster, Ind., and Two Brothers in west suburban Warrenville, Rock Bottom and Piece in the city, and several years later, Half Acre and Metropolitan.

And then, in just the last few years, the floodgates opened.

“It’s crazy to think about how many people are trying or planning on opening breweries right now,” said Piece’s Cutler, whose 12 years and numerous awards at the Wicker Park brewpub have made him something of an elder statesman among his peers.

He and others say the boom mirrors what has happened in the culinary world, as restaurants multiply and diners gravitate toward all things local, seasonal and small-batch.

“People have really done a full 180 on how they go about spending money, and it’s not exclusive to beer. There’s this attention to locality, whether it’s with beer or bread or a lot of things,” said Gabriel Magliaro, founder of Half Acre.

And as with restaurants, there’s just a lot more beer to go around, from established names like Half Acre to under-the-radar operations such as Spiteful. The result: an incredible diversity, some say more so than in other beer-centric cities.

Mosher is creative director at 5 Rabbit Cerveceria, which makes Latin-style brews. Metropolitan specializes in lagers. Une Annee will focus on Belgian beers. Pipeworks is known for beers that are “kind of all over the place,” Mosher said.

“Say you go to San Diego, which is famous for its India pale ales. You’re out at a bar, and you don’t like IPAs, you’re kind of s— out of luck,” Mosher said. “Chicago is a good city for beer diversity, maybe one of the best. And I think that reflects the general gist of Chicago. Think about the food — you can get everything here.”

The interplay between the restaurant and brewing worlds in Chicago isn’t lost on Jared Rouben, who is working toward a December opening of Moody Tongue Brewing Co. in an old glass factory in Pilsen.

Rouben, 31, is a culinary school graduate, a chef and, most notably, former brewmaster at Goose Island, where he partnered with local chefs to make beers tailored to them and their restaurants. He did more than 50 such collaborations.

“Especially in Chicago, chefs have really embraced beer,” he said.

Rouben calls his style “culinary brewing.” That is, making beer, such as a gingerbread chocolate milk stout that will be Moody Tongue’s first release, using techniques and ingredients from the kitchen.

“In a brewery, you see these giant tanks. Take that tank and imagine you’re in a kitchen. It’s really just a pot,” he said. “Cooking might take three minutes. Baking takes three hours. Brewing takes three months.”

Down the road, Rouben said he envisions setting up a sort of cross-culture training program, where a brewer might swap places with a sous chef to expose each to the other’s craft.

A path to success

Store shelves are crammed with more craft beers than ever, but industry watchers insist Chicago hasn’t yet hit its saturation point.

“No way. Every brewery uses different tanks, different water, so there’s a different flavor profile for every type of beer,” said Justin Maynard, executive director of the nonprofit Illinois Craft Brewers Guild.

Expansion is on a lot of brewers’ minds. Metropolitan has outgrown its current facility in Ravenswood and is on the move to a bigger one, while 5 Rabbit Half Acre is now distributing its beers in Ohio with an eye on Indiana and Kentucky as well. Half Acre is developing a “food concept” in the space just south of its North Center brewery, Magliaro said.

With growth come hiccups and a real concern about not compromising quality or the craft ideals. Even Lagunitas’ Magee knows this.

“Big hasn’t been done cool yet,” Magee said. “For us, I think we can get big, and as long as we don’t lose our way and make decisions based on market research, and do things that are soulful, people will recognize that.”

Magliaro’s advice to the flurry of newcomers: “Figure out your beer, and if you’re going to make mistakes, try to keep them as close to your brewery as possible, because there’s a spotlight on everybody now.”

Making it easier for craft brewers to thrive in Illinois is a priority for the Illinois Craft Brewers Guild. Maynard said a newly formed governmental affairs committee will take up that work in Springfield next year, in hopes of revising what it sees as outdated liquor laws regarding production and distribution.

The guild scored what Maynard called a “minor” win in August with legislation doubling the amount of beer a craft brewer can make annually, from 15,000 to 30,000 barrels. Still, it fell far short of the 200,000-barrel mark the guild and its members were pushing for.

At Une Annee, Jerry Nelson brews in eight-barrel batches. His goal is to get up to 2,000 barrels a year as he adds fermentation tanks. It’s all part of the business plan he labored over before opening Une Annee.

“I wanted to make sure I had a full chance of succeeding. I opened as the only employee and with no debt. Those are two very vital factors,” he said.

Nelson looked for a space that didn’t require a gut rehab and kept to a $100,000 budget to get up and running. He has since hired an employee, Dustin Zimmerman, fresh off a three-month internship at the Nogne O brewery in Norway.

This is Nelson’s life now. He brews on Thursdays — he recently had a 16-hour marathon brewing session — and spends the other days drumming up new business. A distribution agreement with powerhouse Wirtz Beverage, effective Oct. 15, should move things along nicely.

Nelson maintains his architecture license, in case he ever wants to go back to building houses. Except, for now, he doesn’t.

Filed Under: Cooking + Eating + Drinking, Portfolio

Nothing but Blue Sky

May 30, 2014 By jrausafull@gmail.com Leave a Comment

 

Woman sees nothing but Blue Sky: Nonprofit runs fledgling job training program, A Taste of Success

By Janet Rausa Fuller
Chicago Sun-Times
November 28, 2007

 

The youths showed up, without fail, to the North Side rented kitchen at daybreak every Wednesday and Thursday this summer, ready to bake.

They assembled Caprese sandwiches for catering orders and mixed up batches of Cheddar chive scones and peanut butter oatmeal cookies. Then they sold the goodies at the Wicker Park and Printers Row farmers markets. It was rare if they didn’t sell out.

At $7.50 an hour, it was a decent gig — and all the more remarkable, considering the youths were homeless.

“It took a long time and a lot of hair-pulling and screaming and yelling, but I had kids taking, by the end of the summer, two buses and a train and then walking four blocks and being on time for every shift,” said Lisa Thompson.

Thompson is the founder of Blue Sky Inn, a nonprofit that runs the fledgling job training program called A Taste of Success out of Kitchen Chicago, a shared use facility in Ravenswood Manor.

Summer, of course, came to an end — as did the teens’ track record.

On a recent Wednesday, Thompson stood alone in the kitchen, mixing up yet another batch of peanut butter cookie dough.

Erica, a single mom whom Thompson had counted on more than anyone, was an inexplicable no-show on this day.

Derek and Karen — both of whom had worked all summer, both of whom live on the L — hadn’t showed up to work in a week.

“It’s the nature of their lives,” said Thompson, a former sexual assault victim’s advocate with the Cook County State’s Attorney’s Office. “I don’t think it means the program can’t work, or that these specific youths can’t work.”

Last week, Thompson hired two more eager youths, Korvell Ford and Tyiquite Norwood. Both are 18, high school dropouts and residents at Belfort House, a transitional youth home at 3739 S. Indiana. Both were kicked out of their relatives’ homes.

A vocational worker at the shelter told them about the job. They didn’t have to think twice.

“I want to try and stick through it,” said Norwood, an aspiring Navy chef.

“Since I want to go to cooking school, this would be a good thing,” said Ford, who has worked at Krispy Kreme and Burger King. “The more I know, the farther I get.”

Thompson, 34, was drawn to working with at-risk youths after volunteering at a Lakeview shelter five years ago.

“I never thought a white girl from Wheaton was going to have a lot to offer these kids,” she said. “But they want things every other kid wants. They want to be happy. They want to be part of things that are productive.”

Her original concept for Blue Sky Inn — one she still hopes to bring to fruition — was a bed-and-breakfast by the same name operated by homeless youths.

She lacked the capital, so she began an art program in local shelters. She also wanted to offer a job-training program that would be a moneymaking venture for the kids.

“I have always loved scones and I think most of them are garbage, so I said we’re going to make some really good ones,” said Thompson, an avid baker and Food Network fan.

A Taste of Success started in May. Thompson fired several youths along the way; others simply didn’t show up.

At the Wicker Park farmers market, restaurateur Debbie Sharpe tried the pastries. This month, Sharpe started carrying the scones at the Gold Coast location of her gourmet foods shop, The Goddess and Grocer, 25 E. Delaware.

“I like what she does and her scones were delicious,” Sharpe said.

The Taste of Success program has netted nearly $18,000 from the farmers market sales and catering orders. The next step, Thompson said, is to find their own kitchen. That may be the key to the program’s success, she says.

“If I can offer the youth 40 hours a week in one place,” she said, “maybe they’d stay more involved.”

Filed Under: People + Places, Portfolio

The last supper at the Berghoff

May 30, 2014 By jrausafull@gmail.com Leave a Comment

 

The last supper: After more than a century on West Adams, the Berghoff turns out the lights

By Janet Rausa Fuller
Chicago Sun-Times
March 1, 2006

 

How do you say goodbye to the only place you’ve ever worked in your life?

How do you say goodbye to the place you call home and to the people you call your family even if they come from all over the world and may not speak the same language as you do?

If you’re Debra Hawkins from Chicago’s West Side, or Yousef Ghusein from the Palestinian territories, or Chris Nakropoulos from Greece, you work.

They worked Tuesday, their final day as servers and cooks at the Berghoff. Among the three of them, they have logged 80 years and a lifetime of memories at the historic restaurant at 17 W. Adams.

But this was no time to reminisce. That would come after their shift. Not now, when they knew that more than 1,500 faithful diners had come for one last bite of sauerbraten with creamed spinach on the side.

In some ways, the last supper at the Berghoff felt like the thousands of others before it. It was packed, for one. There was a constant, comfortable hum in the dining room. Servers, busboys and cooks hustled, expertly weaving their way around anyone who stood in their paths.

“It’s actually a little slower than yesterday,” said Ghusein, 43, floor chef in charge of the first-floor kitchen, surveying the room.

But then, all the camera flashes were hard to ignore, coming not only from customers’ cameras and cell phones but from employees’ as well. And the hugs and handshakes, menus being autographed and people leaving in tears.

The last supper at the Berghoff did not include roast duck, escargot or seafood brochettes. They ran out of those after lunch, Ghusein said, tapping on the computer screen that tracks orders.

But no one seemed to mind much.

“I want to find my friend to say goodbye,” an elderly woman said to no one in particular, her voice and hands shaking as she went through the swinging doors connecting the bar and restaurant. “The guy with the white beard; he’s been here 50 years.”

That guy, Mike Santiago, started as a dishwasher and has worked in just about every position since, including general manager. As closing manager now, it was his job to turn out the lights.

Started at the bottom

So many other employees started, like Santiago, at the bottom. Hawkins, 42, the only full-time female server, started in 1987 as a bathroom attendant and “pantry girl” who cut bread and made coffee. She was just a toddler when Nakropoulos, 65, a Greek immigrant, began busing tables in 1967.

They all have their stories of what it’s been like working at the oldest restaurant in Chicago and what they plan to do today, or someday — go to Vegas, attend culinary school, open their own restaurant, file for unemployment, retire. But on Tuesday, all they could do was work.

‘I want to go out in style’

At 9:30 p.m., Dell Leonard, 69, of Williamsfield, and her 45-year-old son Dan were the last customers to be seated.

“I think I’m still in a state of shock,” said Dell.

Dan Leonard proceeded to order three appetizers, two soups, a roast turkey dinner and — sauerbraten.

“I want to go out in style here,” Dan told his waiter.

At 10:05 p.m. the big, black, bulb-lit sign, beckoning “The Berghoff” in red neon script, went dark.

And at 11:35, after the last diners walked out, closing manager Santiago locked the revolving doors and pulled down the gates.

Filed Under: People + Places, Portfolio

Go on, judge this beer by its label

May 30, 2014 By jrausafull@gmail.com Leave a Comment

Spiteful Brewing shows its artsy side on its bottles

By Janet Rausa Fuller
DNAinfo.com Chicago
May 17, 2013
Link to article

NORTH CENTER — A brewer and a butcher walked into a bar…

There’s no punch line. This is just how the label on one of Spiteful Brewing‘s new beers came to be. Two guys, talking over beers at a Roscoe Village tavern.

To appreciate the work of some of the Chicago’s undiscovered artists, such as that butcher Dave Gathy, or Web designer Chris Murphy, or bike messenger Taylor Garbin, grab a bottle of Spiteful beer. There’s no better time to do so, with Chicago Craft Beer Week in full swing.

In a city bubbling over with breweries, Spiteful Brewing is one of the smallest and nimblest. In its five-month existence, the so-called nanobrewery has put out 10 distinct beers from a windowless, 400-square-foot room, tucked in a warehouse on a quiet street in North Center.

Spiteful doesn’t have a website. Owners Jason Klein and Brad Shaffer brew and bottle by hand. Shaffer, a former bike messenger, makes some deliveries by bike. And the artists whose work adorns the beers? They’re friends drawing for free — or, rather, free beer.

What’s in the bottle, of course, matters most to Klein and Shaffer, who’ve known each other since childhood. But what’s wrapped around each bottle “defines who we are,” said Shaffer.

The label is “hugely important,” said Klein. “You shop with your eyes. We want people to look at our bottles, study our labels.”

And with so many breweries coming onto the scene, the label or logo better be memorable.

Even before Shaffer started Spiteful, he had a habit of collecting brewery labels and stickers. They’re now plastered all over the coolers in Spiteful’s tiny headquarters.

The 22-ounce bombers in particular — the only size bottle Spiteful brews currently come in — “are every brewery’s blank canvas,” said Klein. Craft beer devotees know well the colorful twistedness of Three Floyds bottles, the elegant, pastoral Two Brothers labels, the iconic fist on Revolution brews.

Spiteful’s labels are irreverent, to say the least. The label of their first beer, G.F.Y. Stout, done by Shaffer’s bike messenger friend Taylor Garbin, shows a bear making a not-so-nice arm gesture.

“If you don’t know what GFY means, then… GFY!,” the label reads.

For their God Damn Pigeon Porter, Joelle Tafoya, another bike messenger, drew menacing pigeons against a scraggly, black-and-white skyline.

Dave Gathy, the butcher, has done two labels — a zombie for Malevolence, a Russian imperial stout, and a grinning devil for the Instigator IPA. They’re in the style of the “creepy caricatures” Gathy draws when he’s not cutting meat at Paulina Meat Market in Lakeview, where he and Shaffer first met.

Gathy is working on a third label that he said will involve a fat badger and a bong.

The Spiteful logo — a red face looking, well, spiteful — is the work of Chris Murphy, a Web designer who studied painting at the Rhode Island School of Design.

Murphy met Klein and Shaffer three years ago through Murphy’s sister, who is friends with Shaffer’s sister. They bonded over the guys’ home brews and their talk of starting a brewery.

Murphy’s inspiration for the grimacing face came from a generic sign he saw at a CTA Blue Line station of an adult and child figure holding hands.

“Someone had scratched a nasty little face on the kid’s face,” he said. “That was it.”

The logo is on every Spiteful bottle, but it doesn’t take over the entire label like other breweries, which allows the label to “be a completely different experience for each beer,” said Murphy’s wife, Jessica, a human resources specialist who writes the blog girlslikebeertoo.net in her down time.

“I really admire that. It’s different and it supports local artists,” she said.

Look closely at the other labels Chris Murphy has drawn, such as Burning Bridges and Mrs. O’Leary’s Chocolate Milk Stout, and you can make out another angry face in the shape of a flame. It’s a wink to Spiteful’s “do-it-yourself” philosophy, he said.

“These are just guys who are saying f-it and doing what they want to do,” Murphy said.

As Spiteful grows, Klein and Shaffer plan to move to a bigger space inside the North Center warehouse and get their beer into standard 12-ounce bottles.

For now, there’s no need to change their hands-off approach to their friends’ artwork. They tell them the beer’s name and flavor profile, and that’s about it.

“We find when we don’t give direction, we’re much happier with the labels,” Klein said.

What’s been most rewarding, said Murphy and Gathy, is to see their names on the bottles and know that other people are, too.

Besides that, they can drink their paycheck, and it tastes good.

As part of Chicago Craft Beer Week, Spiteful’s Klein and Shaffer will do a tap takeover May 17 at Four Moon Tavern, 1847 W. Roscoe Ave. They’ll be at the New Wave Brewer Showcase, 7-10 p.m. May 22 at Hamburger Mary’s, 5400 N. Clark St., and at Sweet Home Chicago, 8 p.m. May 25 at the Green Lady, 3328 N. Lincoln Ave.

Chicago Craft Beer Week runs through May 26; the full schedule is here.

Filed Under: Cooking + Eating + Drinking, Portfolio

The last days of Paris, at Next

May 30, 2014 By jrausafull@gmail.com Leave a Comment

 

Savoring last days of Paris, at Next

By Janet Rausa Fuller
Chicago Sun-Times
June 29, 2011
Link to article

 

We’ll always have Paris 1906.

Well, not all of us. Some of us. Some 6,400 of us.

That’s the number of diners who, by the end of this week, will have eaten the debut menu, inspired by the great French chef August Escoffier, at Next, the convention-busting restaurant from Alinea chef Grant Achatz and partner Nick Kokonas.

The restaurant at 953 W. Fulton serves four menus a year — four radically different menus drawing from various places and eras. Escoffier-era French was first; a tour of Thailand will be next, starting July 8.

You don’t call to reserve a table at Next; you buy tickets on the restaurant’s website, choosing your date and time and paying for the food, drinks and tip upfront.

Of course, if you followed the development of Next over the past year via the Achatz crew’s detailed Facebook postings and YouTube videos; if you’ve read the countless, breathless blog posts documenting the buildout, and the handful of official reviews that don’t feel quite official (Chicago magazine critic Jeff Ruby channeled a dead guy, writing in Escoffier’s voice, and the Chicago Reader’s Mike Sula and Timeout Chicago’s Julia Kramer both owned up to the fact that with the way the ticketing system works, their anonymity was out the window before they walked in the door) — why then, you know all this.

Dave, my brother-in-law, didn’t know any of this. “Grant Achatz” and “Next” rung the faintest of bells.

My sister checks in on Facebook once a year, though by virtue of being my sister — sisters talk, you know — she knew a little more than him. She knew, for instance, that Achatz is the chef who famously fought tongue cancer.

And so, with my husband, the four of us planned for Paris. This would be our anniversary dinner. (We had a double wedding. Another story, another time.)

I’d scored tickets (not sure there’s a better way to put it than that) on April 6, the day they went on sale. After waiting and waiting, and clicking and clicking, and triple-checking by phone with the others that a Saturday in early June would work, the confirmation at last landed in my inbox.

Even before stepping in the door at Next, it already feels like a production. An event. A few diners who’d arrived early like us dawdle outside the barely marked door, all of us dressed up and trying to look cool.

After a few pleasantries in the small entryway, we are shown to our seats in the cool, low-lit room and given slim, folded programs describing how Escoffier might have done all this in 1906 Paris.

The first bite: four warm, Gruyere-filled gougeres, each about the size of a doughnut hole. “When the real ones come out,” Dave cracks, “we’ll take them.” Giggles all around.

The silver tray dotted with anchovy-topped quail eggs and other such dainty hors d’oeuvres quiets us down. We ogle, then attack. The plate of foie gras-filled brioche taste as wondrous as the countless photos of them online would have you believe.

Our server describes the wine poured with the turtle soup as sherry-like, which prompts Dave to reminisce about the time, as a teenager, he stole his mom’s sherry. The whole concept of Next is time travel, Kokonas has said. It’s working.

My sister, who has chosen the non-alcoholic beverage flight, marvels at her concoction of aged sherry vinegar and sparkling apple cider. “I’m going to try this at home with balsamic and apple cider,” she vows.

The rhythm and volume of the room pick up as we work our way through sauce-blanketed sole and a chicken dish that is a study in geometrics — a precisely formed diamond of chicken next to a chicken-stuffed, pork-wrapped cucumber round. The lamb dish, our server tells us, has been dubbed “Tower of Terror” by the staff because one wrong move, and the onion rings perched atop the dish could tumble. Yes, onion rings.

We are invited back to the kitchen to watch the completion of our duck course — possibly the most documented dish in Chicago. Chef de cuisine Dave Beran is a sport (as all the staff are). He must feel like a zoo animal, and yet, he does not let on as he carves our duck in seemingly four strokes, smooshes the carcass into an antique duck press and cranks the thing until the juices come running out.

“That was a life-changing experience,” Dave says as we leave the kitchen and settle back into our seats. “I never want to waste stomach space on crappy food again.”

All this, and a staff that doesn’t miss a beat. They know their stuff, but they don’t flaunt it. They’re funny, too. “This,” one server says, not breaking character, as impossibly round rolls are placed on our bread plates, “is” — pause for effect — “French bread.”

We work through that duck, served with a crusty, rich potato gratin. The delicate salad that follows has shavings of the tiniest radishes I’ve ever seen.

A Sauternes sorbet is pure and tongue-deadening cold, as is the ice cream dome called Bombe Ceylan.

By the end of it, we’re stuffed and, minus my sister, a bit soused, and Dave has a spot of something on his white linen shirt. Out of nowhere, a server comes bearing a Tide pen tucked in a napkin.

Among the mignardises, the beet pates de fruit sparkle like little jewels. We feel guilty leaving any stray sweets, so we don’t. Dave pops a candied almond cluster in his mouth. He’s allergic to almonds but, he says, “I don’t care.”

He survives. He’s fine. We all are.

The inclination, after an evening such as this, would be to say, “Let’s do this again.” But we know — you and me, both — that there won’t be any other evenings like this at Next.

Filed Under: Cooking + Eating + Drinking, Portfolio

Chemo and cooking as usual

May 30, 2014 By jrausafull@gmail.com Leave a Comment

For Achatz, it’s still ‘business as usual’: Alinea chef continues to cook despite chemo

By Janet Rausa Fuller
Chicago Sun-Times
September 12, 2007

Grant Achatz wants everyone to know he is not on his deathbed.

He says he is not withering away, a wisp of his former self. He is not nauseous nor does he feel he is in pain.

His hair started falling out two weeks ago, but to him and, especially, his two young sons, it is more amusing than disturbing.

“They think it’s pretty funny that they can grab Dad’s hair and pull a big chunk of it out,” Achatz says.

The 33-year-old chef is having his own fun with it. Before he shaves his head, “I’m going to get a mohawk for a day. I’m going to walk in here and they’re all going to freak out,” he says.

“Here” is the kitchen at Alinea, Achatz’ world-renowned restaurant on North Halsted, where on a recent afternoon the chef stood, head down and hands busy, placing pristine blackberries atop a layer of tobacco-flavored custard.

On July 23, Achatz stunned the food world with the announcement that he has Stage 4 tongue cancer. The next day, he began chemotherapy.

Eight weeks into chemo, Achatz has not missed a day of work, save for when he was in New York meeting with doctors in July and last weekend.

“I just decided it would be good for me mentally to take a couple of days, go to New York and just hang out,” he says.

He spent time with his girlfriend, who lives there. He ate at Jean Georges. The first course — toasted black bread with sea urchin, yuzu and jalapeno — blew him away.

“It was amazing, the flavor profile. The urchin, the spiciness of jalapeno,” he says.

In July, Achatz faced the prospect of having a good chunk of his tongue lopped off. He has been told radiation therapy, to begin soon, will obliterate his sense of taste.

The irony of his illness is not lost on him, though maybe a bit overblown, he says.

“What people don’t realize is that smell is taste. So if my palate is impaired, and I have to rely heavily on my sense of smell, then maybe that will be honed,” he says. “And maybe when my taste does come back, I’ll be able to taste even better than when I started. That’s how I’m looking at this whole thing. You’ve got to wrap your whole head around it and extrapolate it, not just paint it black. It’s impossible to paint it all black.”

A white dot

It started in 2004, with a white dot about the size of a coarse breadcrumb on the left side of his tongue.

At the time, he was planning Alinea and working at Trio in Evanston. He figured he was gnawing his tongue because of stress. So did his dentist.

A mouth guard didn’t help. A biopsy in November of 2004 came back clean. End of story, he thought.

Then, in May, the dot “started going crazy,” Achatz says. It grew. It hurt. He couldn’t eat much. His speech was off.

In June, his dentist fitted him again for a mouth guard. “At this point, needless to say, I changed dentists,” he laughs.

An oral surgeon did another biopsy. By this time, around July 4, he had dropped 17 pounds and the pain was “excruciating,” he says.

At Alinea, they knew something was wrong. But, says chef de cuisine Jeff Pikus, “I didn’t know the extent of it.”

The oral surgeon told Achatz it was cancer and referred him to an oncologist. The oncologist exhaled heavily and said, “It’s big.” And then: We need to cut three-quarters of your tongue out.

“In my head I’m going, that’s not an option. That’s just not gonna happen,” Achatz says.

He and partner Nick Kokonas, who was with him in the doctor’s office, went to a bar and drank margaritas. Then, they began a 10-day search to find a doctor who would cure him.

An oncologist at Sloan-Kettering Cancer Center in New York said without surgery, Achatz had less than five months to live. A Northwestern oncologist concurred, but referred him to Dr. Everett Vokes at the University of Chicago.

Vokes’ team told Achatz what he wanted to hear: they could use drugs to wipe out the tumors growing like weeds inside his tongue. They told him he had a 70 percent chance of beating this. Because the cancer had not spread beyond his lymph nodes, “That basically is the difference between cure and control. Life and death, really,” U. of C. oncologist Dr. Ezra Cohen says.

But before this welcome news, while still in New York, Achatz called the restaurant to fill them in. Staff crammed into the first-floor dining room. The room was so silent, the chef — talking by speakerphone — had to ask several times whether the call had been cut off.

His first day back from New York was unforgettable, sommelier Craig Sindelar says.

“He walked through, shook everbody’s hand who was there. He said, ‘Let’s bust this out,’ ” Sindelar says. “Business as usual.”

Looking forward

Achatz is busier than ever.

On Tuesdays, when the restaurant is closed, he sends text messages and makes phone calls while drugs drip through an IV into his arm at the U. of C.

He is working on a mammoth cookbook with some 700 recipes. Next week, he launches an online teaser for the book, where fans can reserve their copy and have access to videos and bonus recipes. A second restaurant in Chicago is in the works — “high-concept” but affordable food, he says. At Alinea, he is rolling out a fall menu, bit by bit.

Achatz isn’t working like mad because he has something to prove. He just has so much to do. “It comes down to survival and quality of life, and my quality of life is right here,” he says. “Aside from my kids, this is it.”

Achatz takes a break from chopping garlic. Outside, it’s near 90 degrees and sunny.

“I’m ready for fall,” he says, breathing in the warm air, before going back inside to the kitchen, to business as usual.

Filed Under: People + Places, Portfolio

A chef writ large

May 30, 2014 By jrausafull@gmail.com Leave a Comment

A chef writ large

By Janet Rausa Fuller
Chicago Sun-Times
March 2, 2011
Link to article

The story of Grant Achatz, the young Chicago chef with tongue cancer, had to be written.

So Achatz, 36, did what any other high-profile, busy chef might do: He hired a ghostwriter.

The ghostwriter sent the beginnings of a story to Achatz. “It felt so fake to me. It made me cringe,” the chef says.

Nick Kokonas, 43, Achatz’s partner in Alinea, the Lincoln Park restaurant considered one of the world’s best, was more blunt: “I said to them, ‘It’s terrible.’ ”

Overnight, Kokonas says he typed out about 20 pages — about the day in 2007 when Achatz was given the diagnosis of Stage 4 cancer — and sent them to the ghostwriter’s agent to show them what the story should sound like. Which effectively ended the ghostwriter’s stint.

Kokonas and Achatz continued to crank out pages, a few thousand words at a time. They would e-mail each other what they’d written, then edit each other’s words, their correspondence taking place into the wee hours.

From the start, Achatz and Kokonas were adamant that the story would be told by both of them, in both of their voices.

“It is at times a business book, at times an inside portrait of the culinary world and at times a cancer survival story,” their proposal read.

Five publishers rejected it; a memoir should be first-person, they were told. A sixth publisher, Penguin Group, bit.

This is the Alinea way: Break the mold. Take control. Get it done.

Life, On the Line (Gotham, $27) by Achatz and Kokonas will be on shelves Thursday. The publicity tour for the book has begun. A movie script has been written and a director tapped. They are mulling over two offers for a TV show that Achatz describes as “part-travel show, part-history show, part-food show.”

And in a few more weeks, the pair will open Next and Aviary, a restaurant and bar respectively, on West Fulton that they say will be nothing like what diners in Chicago, or elsewhere for that matter, have yet encountered.

“In terms of complicating my life, it’s a bad thing, because now I’m getting pulled in a lot of different directions,” Achatz says, “but from a media standpoint, it’s kind of like the perfect storm, right?”

Rising star

Achatz has garnered just about every accolade that matters to a chef, including the highly coveted three Michelin stars.

But he’s pretty sure he won’t win any literary awards for this book (though his self-published Alinea cookbook did win a James Beard Award in 2009).

“What we lack in being great writers and amazing prose, we make up for in authenticity,” says Achatz. “Nick said, ‘The book sounds like you’ and to me, that’s awesome.”

The story almost writes itself.

Small-town Michigan kid learns to crack eggs at his family’s diner and, as his friends go off to college, he vows to one day open a “great restaurant — a famous one.”

Even then, the kid’s drive and perfectionism are apparent. He’s an average student but focused as hell: building his first car, a Pontiac GTO, piece by piece over two years; in the diner, pushing himself to see how long he can man the griddles, broiler and fryers himself.

After culinary school, he goes to work for the best — Charlie Trotter, then Thomas Keller. He pursues Keller by writing him 14 letters in a row.

He’s dreaming big now, ready to run a kitchen, and he finds it in Trio, the tiny Evanston restaurant. This is where his star rises, and when the reviews and awards start coming in. He meets Kokonas, a successful, confident trader and regular diner at Trio, and they start laying plans for Alinea.

A frankness permeates the book. Achatz is open about his father’s drinking (“He’s an alcoholic. Still is,” he says to me during our conversation sitting on steps outside his new bar, Aviary), his parents’ fractured marriage and his own failed marriage.

He is unapologetic about his ambition and ego. The day after his younger son is born, “I returned to work, on time, the next morning,” he writes.

Entire chapters are Kokonas’ e-mails to investors detailing the buildout of Alinea, complete with architects’ renderings and photos of dining room chairs and dishes being researched.

You don’t even get to the cancer part until page 305 of the 390-page book.

That part is the stuff of movies, dramatic and awful and inspirational.

Achatz opens the restaurant of his dreams, Alinea, in 2005 at age 30, and two years later is told he has Stage 4 squamous cell carcinoma of the mouth. He is told, by three different doctors at three different hospitals, that his tongue must be cut out and that, even after that, he may die. A team at the University of Chicago proposes something else: drugs and radiation to wipe out the tumors. Which, remarkably, they do.

Achatz drives himself to every treatment session but one.

“Occasionally,” he writes, “I would find it necessary to pull to the side of the road, vomit and then drive on.”

On the inside

Hardcore foodies and followers of Achatz (there are 23,417 of them on Twitter) will lap up the chef and food references.

There’s a young, stoic Bill Kim in the kitchen at Trotter’s; Kim now runs the popular casual eateries Urban Belly and Belly Shack. There’s a pre-“Top Chef” Richard Blais in the kitchen at the French Laundry, and Chicago comrades Nathan Klingbail, John Peters and Michael Carlson cutting their teeth at Trio.

There’s the Black Truffle Explosion, one of Achatz’s most famous dishes (“We would get rid of Black Truffle Explosion and Hot Potato, Cold Potato if people didn’t kill us,” Kokonas jokes to me).

There are the local and national food critics and writers, and the uneasy, complicated dance Achatz and Kokonas know they must do to court the media while swallowing their pride.

And there’s Trotter.

Achatz is 21. First day of his tryout at Trotter’s Lincoln Park restaurant, and he muffs a batch of blanched peaches. A pastry chef tries to salvage them, but too late.

“I turned to see Charlie Trotter standing before me, head tilted to one side, peering over his John Lennon-style glasses,” Achatz writes. “His hands were together in front of him like a praying mantis, and he leaned forward slightly to intimate that he was looking into the ice bath, even though his eyes were on the pastry chef.”

Trotter unleashes a verbal assault on the pastry chef, walks away, then turns back, walks to Achatz and sticks out his hand. “I am Charlie Trotter. If you give a s—.”

Achatz quits the restaurant after only a few months. Trotter’s parting words, according to Achatz: “As far as I am concerned, if you don’t work here for a year, you haven’t worked here for a day.”

Trotter’s presence looms throughout the book. While scouting locations for Alinea, Achatz and Kokonas drive by Trotter’s restaurant. Kokonas jokes that they should buy the spot across the street and call it “F-U-C-T.’ F— you, Charlie Trotter,” he writes.

Achatz, standing now with his hands jammed in the pockets of his peacoat as we talk outside Aviary, shakes his head.

“This is a problem,” he says. “The stories that were in there weren’t intended to be disrespectful. They weren’t intended to be shedding light on the monster that is Charlie Trotter. Believe it or not, I was trying to draw more parallels with him to me than most people are getting.

“His all-out assault to be the best, to be perfect, to make an amazing restaurant — I got that from him.”

His relationship with Trotter today? “Nonexistent,” Achatz says.

But then he tells me this story: A month after being diagnosed with cancer, he and his girlfriend ate at Trotter’s. She’d never been there and they both wanted to do it up.

They ate like royalty. Afterward, Charlie invited them to his house to celebrate the restaurant’s 20th anniversary with a bunch of other chefs. They went; it was a great night.

“People don’t see his generosity and what he gives,” Achatz says.

Achatz wrote that scene, but it ended up getting cut.

Like brothers

The book opens with Achatz at the 2008 James Beard Awards in New York, accepting the award for Outstanding Chef. He had completed treatment five months earlier, but was still recovering — “bald, pimpled, scaled and sore” and unable to taste a thing.

It was Kokonas, not Achatz, who wrote this scene in the chef’s voice, describing a time during which the two were barely speaking.

“People didn’t realize how bad things were during that time,” Kokonas says. “At that point, I didn’t want to deal with him personally anymore. I was just done with him. That’s why I wasn’t there. And he felt awkward being there. He felt awful, he weighed 130 pounds. He’s the one who told me, ‘God, everybody treated me like a leper.’ ”

Theirs is a unique relationship. They are business partners, but even more, “best friend brothers,” Achatz says. “More like brothers than we are like friends. Really close brothers.”

They are both only children. They both like to talk, and they’re direct when they do. They share a work ethic that Kokonas describes as “warped strength.”

“The thing Grant and I have most in common is when we set out to do something, we do it,” Kokonas says.

Nothing is half-assed. It took $2 million to build Alinea (and some 18,000 e-mails between the two, Kokonas figures). They’re exceeding that with their new ventures by “only about eight percent so far,” Kokonas deadpans.

The initial plan was to keep it tight and low-cost. “We were just going to be about food, food, food,” Kokonas says.

That has morphed into this: Next, a restaurant serving food of a specific era and place for three months at a time — basically, a different restaurant four times a year — and taking customers by ticket, not reservation; and Aviary, a bar where chefs make the cocktails and finger food behind a bar that patrons won’t actually be able to walk up to.

“Cocktail exhibition,” says Kokonas. Ever the “serial entrepreneur,” he is starting yet another company modeled around the unusual ticket reservation system at Next.

It was Kokonas who pushed to get a second, third and fourth opinion on Achatz’s cancer diagnosis.

Without Kokonas: “Dead,” Achatz says. He’d be dead.

Another start

Nearly dying hasn’t changed Achatz all that much. He now has a will in place for his kids, and “that sense of being invincible” that every twentysomething boasts, he doesn’t feel that anymore. But he doesn’t dwell on what was, or what could have been.

Time with the boys was always sacred, and more so now, he says. Alinea is closed on Mondays and Tuesdays, and Next and Aviary will follow that schedule because those are his days with his kids.

While on tour for the book, Achatz will be out of town for only one Monday and Tuesday. That was by design. His only other stipulation: that he not do back-to-back stops in various cities, so he’s not away from Alinea too long.

He goes to the U. of C. once a month for checkups. He knows the likelihood of seeing the cancer return is “highly possible.”

And yet, getting older — being supplanted one day by the young It chef, as Kokonas warns him in the book will happen — seems more unsettling.

“I mean, I still feel like I’m 20, despite everything I’ve been through,” he says. “But that’s absolutely correct. Some cook that has either been in my kitchen or I don’t even know yet because they don’t work for me yet, five years, 10 years from now, it’s going to be him in the paper and somebody is going to say, ‘The torch has been passed’ or ‘The guard has changed in Chicago dining.’ And I don’t know how it will make me feel.”

Achatz’s book ends where we are now — with the start of Next and Aviary. But his story is not yet done.

Filed Under: People + Places, Portfolio

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